| One of the major objectives of any trade
| |
| | possible.Geico and AFLAC have recently
|
| show exhibit is to create a lasting
| |
| | done very well with their talking animal
|
| impression in the attendee's mind. After
| |
| | ads. By using the same animals over and
|
| all, if a visitor can't remember you, how
| |
| | over to reinforce the marketing message -
|
| can he give you his business? You also
| |
| | after all, that poor duck could surely
|
| want to create a positive impression, and
| |
| | use some disability insurance of his own
|
| unfortunately, that's harder to do than
| |
| | by now! - both companies have created a
|
| the negative equivalent.Which brings us
| |
| | brand awareness second to none. Ask the
|
| to humor. People love to laugh - and they
| |
| | random person to identify a disability
|
| like other people to laugh with them.
| |
| | insurance company, and chances are that
|
| Witness the almost constant flood of
| |
| | they'll tell you about AFLAC. Ask them
|
| jokes and cartoons that flit across the
| |
| | about another disability insurance
|
| internet: Proof that humor cannot be
| |
| | company, and you'll be lucky if they can
|
| stopped. You'll often find that people go
| |
| | name even one.Key #3: Create a character.
|
| out of their way to remember great jokes,
| |
| | Create a 'character' as part of your
|
| where they'll never, ever stop to jot
| |
| | brand image. This character should show
|
| down the details of an eye-catching
| |
| | up EVERYWHERE - including television
|
| graphic. This makes humor an invaluable
| |
| | commercials, on the literature you
|
| marketing tool --if you can make it serve
| |
| | distribute at the show, in your signage
|
| your corporate objectives.Some of you are
| |
| | and graphics, and potentially as stuffed
|
| dismissing this idea out of hand.
| |
| | animals. The Serta Sheep toys have taken
|
| "There's nothing funny about my product!"
| |
| | on a life of their own, and each and
|
| I can hear you saying. Well, what's funny
| |
| | every one of them goes out with the
|
| about rental cars? Beer? Car insurance?
| |
| | company name blazoned on the side. That's
|
| None of these items are inheriently
| |
| | humorous marketing at work. Consumers buy
|
| funny, yet companies in all three sectors
| |
| | these secondary products because of the
|
| have effectively used humor to fix their
| |
| | laugh-factor, and bring a constant
|
| products in the public eye.It is
| |
| | advertisement into their home. The
|
| important to remember that your trade
| |
| | influence on subsequent purchasing
|
| show campaign should be fully integrated
| |
| | decisions may be minor, but it is in fact
|
| into your marketing plan as a whole. If
| |
| | there.Humor can be a great way to convey
|
| you are using humor in your television
| |
| | your marketing message. Geico has done
|
| and print media, bring it to the show
| |
| | this very well with the "I saved money on
|
| floor. However, if you are known as a
| |
| | my car insurance by switching to Geico!"
|
| stoic and conservative company, playing
| |
| | series of commercials. Exercise equipment
|
| for laughs at the convention center will
| |
| | salesmen, politicians, animated
|
| fall flat. Consistency in corporate image
| |
| | characters - all have been pressed into
|
| is key.What can we learn from companies
| |
| | service to recite those ten words. Using
|
| that have successfully used humor? There
| |
| | different settings keeps the audience
|
| are four key lessons.Avis Rental Cars "We
| |
| | engaged, while constant repitition drives
|
| try harder" campaign centers on humorous
| |
| | the message home.Key #4: Repetition
|
| scenarios highlighting what would happen
| |
| | counts.
|
| if a rental car company wasn't willing to
| |
| | Remember, consumers need to hear a
|
| go the extra mile. They film ridiculous
| |
| | message at least six times before they'll
|
| situations, such as an attendant handing
| |
| | recall it easily. The trick is to keep
|
| out books to customers waiting in long
| |
| | the presentation fresh while the message
|
| lines, and contrast them with the bright,
| |
| | remains constant.Comedians world-wide
|
| efficient service a customer could expect
| |
| | will tell you that humor is a tough
|
| from their company. It gets a chuckle -
| |
| | business. It's hard to tell what will
|
| but you'd better believe that when a
| |
| | make one person laugh and another roll
|
| weary traveler is eyeing the rental car
| |
| | their eyes in disgust. However, if a joke
|
| company kiosks at the airport, an image
| |
| | falls flat for a comedian, they simply
|
| of that book-toting attendant flashes
| |
| | move on to the next joke and keep moving.
|
| through his mind.Key #1: Exaggerate the
| |
| | If you've invested tons of time and money
|
| norm.
| |
| | in your humor campaign, you need to know
|
| Contrast exaggerated examples of
| |
| | these three things:1. It must be funny.
|
| industry 'norms' with how your company
| |
| | Test the campaign on objective people.
|
| excels. A restaurant chain that serves
| |
| | Lots of objective people. If the majority
|
| large portions could highlight the much
| |
| | laugh, you're golden. However, if less
|
| smaller servings to be had at the
| |
| | than half the people get the joke, drop
|
| competitor's. Wendy's did this very
| |
| | it.2. It must be quick. There are great
|
| effectively with the "Where's The Beef?"
| |
| | funny jokes that take half an hour to
|
| campaign in the Eighties. Be careful not
| |
| | tell. That's nice. Inflict them on your
|
| to explicitly or implicity identify your
| |
| | relatives or when you've got a whole room
|
| competitors, or you'll be hearing from
| |
| | full of trapped subordinates. Customers
|
| some very angry lawyers.Remember the
| |
| | aren't going to give you that much of
|
| Budwiser frogs? How about the lizards? Or
| |
| | their time. You've got half a minute tops
|
| the donkey that wanted to be a
| |
| | to get them laughing.3. It must reflect
|
| Clydesdale? Each of these campaigns was
| |
| | well on your company. Ethnic, racial,
|
| phenomenonally successful, yet only
| |
| | sexual, and gender based humor has
|
| tangentially related to the product at
| |
| | absolutely no place in the corporate
|
| hand. Each approach was slightly
| |
| | world. Perceived slurs - even if they are
|
| different. Frogs croaking Bud - wis - er
| |
| | made in the guise of a joke - will travel
|
| can be inheriently funny, especially if
| |
| | around the world as fast as the internet
|
| you've already had a few brews yourself.
| |
| | can move, and suddenly your company will
|
| It also appealed to the coveted young
| |
| | have all kinds of attention they don't
|
| drinker demographic, as studies have
| |
| | want.Laughing is a lot of hard work,
|
| shown an intense brand loyalty among
| |
| | isn't it? But once you've found the right
|
| drinkers, generally established in the
| |
| | balance, you'll have an advertising
|
| early twenties. The lizard campaign
| |
| | campaign that will draw the crowds into
|
| capitalized on the wry, sarcastic humor
| |
| | your exhibit - and more importantly,
|
| enjoyed by Budwiser's target audience.
| |
| | toward buying your products and
|
| The donkey campaign tied into the
| |
| | services.Written by Susan A.
|
| traditional Clydesdale imagery, a strong
| |
| | Friedmann,CSP, The Tradeshow Coach, Lake
|
| if staid marketing tool.Key #2: Know your
| |
| | Placid, NY, author: "Meeting & Event
|
| target audience.
| |
| | Planning for Dummies," working with
|
| Jokes that appeal to one demographic may
| |
| | companies to improve their meeting and
|
| not work with another. Gen Y shoppers
| |
| | event success through coaching,
|
| have especially sharp funny bones, and
| |
| | consulting and training. Trade Show
|
| may appreciate dry wit. Tie in your
| |
| | Marketing by "The Trade Show Coach" -
|
| classic marketing efforts whenever
| |
| | Susan Friedmann, CSP.
|